1am, I’m losing all my patience,
2am, I swear I hit my stride
3am, I’m waking up the neighbors
4am, the muse in me has died
But
All I know is how to be perceived
(I don’t really love you back,
I don’t really love you back, yeah)
Frankly I don’t know what to believe
(I don’t really love like that,
I don’t really love like that)
& I wanna know the future
Don’t tell me how it ends, though
If I come off as a loser,
it’s only cuz I said so
I’ve been good,
It’s been good,
But I know,
It could be better
It could be better
It could be better, better, better.
It could be better
It could be better
(ooh)
It could be better
It could be better
It could be better, better, better.
It could be better
It could be better
But it never is though,
Man, I’ve only been to san francisco
I could win a emmy,
I could win an grammy & an oscar,
’n all I’d have is my ego,
Living the dream
Sleeping through the nightmares
…in the studio,
Spending all my nights there
Might as well…
Man, I might as well…
& I wanna know the future
Don’t tell me how it ends, though
If I come off as a loser,
it’s only cuz I said so
I’ve been good,
It’s been good,
But I know,
It could be better
It could be better
It could be better, better, better.
It could be better
It could be better
(ooh)
It could be better
It could be better
It could be better, better, better.
It could be better
It could be better
(I know what you want,
You want to kill me!)
(You’re crazy… Take it easy, kid
I just wanna talk to ya)
Don’t stop
now
Carry on
Heaven is a place we don’t belong
So if
You
Don’t obey,
Why’d you even come here anyway?
Don’t stop
now
Carry on
Heaven is a place we don’t belong
So if
You
Don’t obey,
Why’d you even come here anyway?
credits
from t.i.a.p.f.y.h.,
released June 4, 2021
Written by: Nat Puff, Moore Kismet, Chromonicci
Produced by: Nat Puff
Mixed by: Peter Kuli
Mastered for digital by: Chuck Sutton
Contains a sample of “Reefer Madness” (1936) directed by Louis J. Gasnier
Special thanks to Mohawk Johnson
Sample of “Bad Note” submitted by Anonymous
Sample of “Hitting this pole sounds like a cartoon laser beam” submitted by Anonymous
Sample of “THE SKITTLES” submitted by Rae Mills
This album is honestly one of the greatest albums I've ever heard. Horribly underrated. Folky, raw, punkish, and heartbreakingly cryptic. Left At London
supported by 77 fans who also own “It Could Be Better”
continuing from FIYH, this is blackpilled as all fuck; written and delivered with the raw candidness and self-mocking bitterness of a high-schoolers journal, and set to beats that are laser-focused to keep my distractable mind topped up on angry dopamine. A tight 21 minutes of weaponised disgust. Tom Colquhoun
The excellent new LP from Seattle’s Fotoform pairs the moodiness of goth with drifting dream pop melodies, resulting in bewitching songs. Bandcamp New & Notable Oct 18, 2021